The
following lists scripts recently developed with A.S.K. Theater Projects
that are eligible for the [Inside] the Ford program. For more information
about a specific script, please call Mead Hunter at A.S.K.: (310) 478-3200.
Strange
Attractors by David Adjmi
Betsy's good. There's the charity work, the AIDS
fundraisers. Her life is good, too: Park Avenue penthouse, Ad-exec hubby,
live-in maid. But Betsy's been bad. Photos on the Internet prove it. Now
she's a download away from finding out just how bad life can get.
CAST: 3 WOMEN, 2 MEN
Big
Death & Little Death by Mickey Birnbaum
It's those damn teenagers and their damn death metal. It's all the drugs,
and the sex with guidance counselors, and the stillborn pit bull pups
coming back from the dead. Let's face it-you're just a tiny goober of
flesh in this universe. You're never safe.
CAST: 2 WOMEN, 5 MEN
Kate
Crackernuts by Sheila Callaghan
Once upon a time, there were two stepsisters. Then one day Anne lost her
head. Once upon a time, there were two healthy brothers. Now there is
one healthy brother, and one spent piece of punctuation who drips from
the bed and changes colors by the hour. A head is a head after all, and
who says the imposter won't be a better fit?
CAST: 4 WOMEN, 4 MEN
Henry
Flamethrowa by John Belluso
A comatose girl with miraculous healing powers. A reporter who'll do whatever
it takes to get the real story. A father desperate to believe. And Henry,
who prays to the Devil to keep him from doing God's terrible will. An
A.S.K. commission.
CAST: 1 WOMAN, 2 MEN
Raree
by KC Davis
This is how a poet should arrive: Open to inspiration. Drunk as a lord.
Richard Savage embodies both qualities as he stumbles into the lives of
the love-starved Prentiss sisters. Is it fate? Or the work of a certain
magical charm?
CAST: 4 WOMEN, 4 MEN
chokecherry
by Erik Ehn
Part three of a trilogy that takes The Divine Comedy as its point
of departure.
CAST: 1 WOMAN
Crazy
Drunk
by Robert Fieldsteel
It's the case of the century, drawn from the tabloids of the day. Los
Angeles, 1903: city patriarch Griffith W. Griffith fires a revolver into
his pleading wife's face. Was it really attempted murder? Intoxicating
defense attorney Earl Rogers makes the case, but fails to learn the lesson.
CAST: 3 WOMEN, 4 MEN
The
Gibson Girl by Kirsten Greenidge
Two girls, raised as twins, but different. Dark-skinned Win isn't exactly
who she thinks she is, while light-skinned Valerie has just moved into
a bathroom stall. Only a long-gone daddy could straighten this all out.
That is if mama Ruth can lure him back with sweet, and trap him with sticky.
CAST: 6 WOMEN, 2 MEN
Philosophy
of the World
Words by Joy Gregory, music by Gunnar Madsen
Austin Wiggin had a vision: his daughters were going to be rock stars.
So what if they couldn't play any instruments and didn't know any songs?
With little talent and even less desire, this girl group became The Shaggs,
the worst rock-n-roll band of all time.
CAST: 4 WOMEN, 4 MEN (with doubling)
The
Lively Lad by Quincy Long
Little Eva Martin won't be satisfied with anything less than a eunuch
for her 13th birthday. After all, everyone else is getting them. But the
spoiled Victorian debutante is destined for more than social success when
her new companion enters the scene in this madcap new play with songs.
An A.S.K. commission.
CAST: 3 WOMEN, 6 MEN (with doubling)
Moscow
by Steven Leigh Morris
Moscow takes the Faustian underpinning of Bulgakov's legendary novel,
The Master and Margarita - in which the devil and his entourage raise
havoc in Stalinist Russia - and refracts it through the prism of contemporary
Moscow, with the Russian Mafia and the struggles of one Muscovite family.
CAST: 4 WOMEN, 5 MEN (with doubling)
Rhinebeck
by David Rambo
It was a fine example of American Empire architecture. For Andy and Christopher,
the adventure was adding to the history already within its walls. For
Susan and Pete, the history was an annoyance best dealt with by a bulldozer.
Past, present and future meet as two couples clash in a 19th-century house
in upstate New York.
CAST: 1 WOMAN, 3 MEN
Mayhem
by Kelly Stuart
Everyone has a story to tell, and everyone has a lie. Whether it's the
genocide in far corners of the world, the drive-by shootings across the
street or even the homegrown mayhem on the other side of her kitchen table,
Susan needs to decide which story will be hers. An A.S.K. commission.
CAST: 2 WOMEN, 2 MEN
Parasites
by Marius von Mayenberg
It's a flat, not the stinkin' hospital. Don't let the wheelchair, the
pills, or the pregnant woman fool you. And it isn't a cage of wild animals,
either. They may bite and claw and devour each other bite after bite,
but it's just people. Husband and wife, sisters, victims and persecutors.
Parasites. A Royal Court Theatre Exchange participant.
CAST: 2 WOMEN, 3 MEN
The
Dinosaur Within by John Walch
Stolen footprints set off an epic story, in which aboriginal Australians
collide with faded movie stars; real time meets dreamtime meets movie
time; a wild bird attempts to increase her wingspan by finding her inner
dinosaur; and a young reporter does her best to get to the bottom of it
all.
CAST: 8 ACTORS
Be
Aggressive
by Annie Weisman
Blackmail, grand larceny, whatever it takes, Leslie and Lisa, two cheerleaders
from Vista del Sol High School-by-the-Sea won't stop until they make it
to the Spirit Institute of the South-where people take cheer seriously.
CAST: 7 WOMEN, 1 MAN
Clubland
by Roy Williams
They've been out of school for more than a decade, but these Black blokes
are still cruising the same London clubs and fighting the same fights.
Marriage, family and White girls aren't going to cramp their style. Still,
what happens when club kids turn 30? A Royal Court Theatre Exchange
participant.
CAST: 4 WOMEN, 3 MEN
The
Princess Inside by Y York
In a New York newsroom, content is optional and videotape is king. It's
a scramble for the top of the heap as two reporters try to decide if their
faces are their fortunes, or if it all can be changed in editing. An
A.S.K. commission.
CAST: 2 WOMEN, 2 MEN
Board
of Trustees
Audrey Skirball-Kenis, Chairperson
Charles Kenis, President
Kym Eisner, Secretary
Staff
Kym Eisner, Executive Director
Mead K. Hunter, Director of Literary Programs
Matt
Almos, Literary Manager
Nathan Birnbaum, Artistic Associate
Matt Cullen, Graphics Associate
Bryan Davidson, Playwright Outreach and Education Coordinator
Heather Dundas, Project Manager
Wendy McClellan, General Manager
Alison Merkel, Assistant to the Directors
Raul Clayton Staggs, Project Coordinator
Joseph L. Thornburg, Office Manager
A.S.K.
Theater Projects
11845 W. Olympic Blvd.
Suite 1250 West
Los Angeles, CA 90064
(310)478-3200
info@askplay.org / www.askplay.org
A.S.K.
Theater Projects, a local and national resource for the theater and its
artists, facilitates the creation of new work through a broad range of
artistic and educational programs. A.S.K. offers an energetic year-round
schedule of readings, publications, practical labs, on-line services and
workshop productions and regularly hosts symposia, festivals, caucuses
and labs as forums for exploring issues vital to the theater. In addition,
A.S.K. contributes to the development of new theater through its Playwrights
in the Schools program and affiliations with like-minded organizations,
locally, nationally and internationally.
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